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Owen Kydd, Time Image Casemore Kirkeby, San Fransisco

Casemore Kirkeby is pleased to announce Owen Kydd: Time Image, the inaugural exhibition at the gallery’s new location at 1275 Minnesota Street. The exhibition will open on Friday, March 18th, as part of the grand opening of Minnesota Street Project. Over the past several years, Owen Kydd has captivated viewers with his “durational photographs”—works that …

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Colleen Heslin in Galleries West Magazine

There’s a push and pull in Colleen Heslin’s quilt-like paintings, a pull to examine the undulating dyes and the rolling seams that stitch together second-hand fabrics used as surface and support. Yet these same chromatic stains and opposing fabrics push you back to make sense of the illusory depth and the ambiguous but evocative compositions. …

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Owen Kydd in For The Love of Things: Still Life at the Albright-Knox Art Gallery, Buffalo NY

Passing by, you could easily mistake one of Owen Kydd’s videos for a photograph mounted in a light box. However, his images do actually move, albeit slowly. He refers to such works as “durational videos,” and you have to watch carefully to see the small changes that take place throughout. Mirror Palm, for instance, is …

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Roy Arden, Still Life with Fish: Photography from the Collection at the Hammer Museum, Los Angeles

Themes of seriality, identity, and place explored in conceptual photography on the West Coast from the 1960s to the present. Since the 1960s Los Angeles has been a seminal location for experimental photography. Robert Heinecken’s founding of the photography program at UCLA has not only impacted generations of artists using photography but also set the …

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Karel Funk in 303 Gallery

Karel Funk creates astonishingly detailed and hauntingly quiet paintings that at once rely on and challenge conventional notions of portraiture. Historically, portraits were painted with an agenda. Preeminent figures with the means to commission such work were portrayed to emphasize real or desired attributes, seeking to command admiration and respect from the viewer. Most often …

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