Roy Arden

Roy Arden, Paul P Civilization (inverted) at Griffin Art Projects

To expand this special exhibition project, which originated at Scrap Metal, Toronto, the curators have selected additional work from private collections for inclusion in the show to realize conversations, both historical and aesthetic, that further illuminate the artist’s interests. In Paul’s words, “for this exhibition I am interested in the impulses within intimate milieux, whether …

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Splendour Without Diminishment, The Mainlander

In Vancouver, there is no image of nature that is not at the same time an image of private property. Possession structures the visual culture and economy of the image. Whether this image is a meticulously crafted photograph for a condo advertisement staged in False Creek, or a self-portrait at the top of Grouse Mountain, …

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Roy Arden, Still Life with Fish: Photography from the Collection at the Hammer Museum, Los Angeles

Themes of seriality, identity, and place explored in conceptual photography on the West Coast from the 1960s to the present. Since the 1960s Los Angeles has been a seminal location for experimental photography. Robert Heinecken’s founding of the photography program at UCLA has not only impacted generations of artists using photography but also set the …

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