Splendour Without Diminishment, The Mainlander
In Vancouver, there is no image of nature that is not at the same time an image of private property. Possession structures the visual culture
Clint Burnham on Evan Lee’s Fugazi
Speaking in response to Evan Lee’s Fugazi, an installation in the Teck Gallery that queries how value is socially constructed, Clint Burnham will approach the
Evan Lee, Artforum
Evan Lee’s series of paintings “Fortune Happiness,” 2018, is distinguished by long shadows and listless figures that might be found in Edward Hopper’s canvases. But
Evan Lee, The Pacific, Libby Leshgold Gallery
The Pacific, the inaugural exhibition at the Libby Leshgold Gallery, brings together artists from countries in and around the Pacific Ocean. The exhibition considers the
Splendour Without Diminishment, The Mainlander
In Vancouver, there is no image of nature that is not at the same time an image of private property. Possession structures the visual culture
Evan Lee, Inorganic Seductions, Capture Billboard Project
Inorganic Seductions, the 2017 Capture Billboard Project, brings together four local and international artists in an unprecedented public presentation in Canada. Examining the genre of
Evan Lee, Three Ginseng Roots, public art installation, River Park Place
The photographic sculpture Three Ginseng Roots is a commissioned artwork for River Park Place in Richmond, BC. Balancing modern materials and processes with natural forms and colours,