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Karel Funk’s oil paintings remain unwavering in their concentration on well-made outerwear. At 303 Gallery, in his first gallery show in New York since 2010, Mr. Funk continues to meticulously render the heads and shoulders of subjects who have their backs to the viewer and are wearing bright nylon parkas with the hoods up, silhouetted against white. They are, in other words, complete mysteries, their distance intensified because the hoods evoke monks’ or nuns’ habits. As always, Mr. Funk’s art has an undercurrent of religious devotion, maybe even a touch of the medieval.

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