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In his latest exhibition at Regen Projects, Canadian artist Scott McFarland pulls back the curtain — if only a little bit — on his digitally manipulated, always slightly surreal photographs.

Whereas earlier works seamlessly combined elements from multiple exposures in a single weirdly realistic image, this show pairs separate shots of the same places, inviting the viewer to make comparisons and contemplate the impossibility of McFarland’s concoctions.

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